DEBORAH CARRUTHERS
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    • Exhibitions ... Now You See Me... >
      • What Remains Unexplained 2.0: The Endpoint Collective
      • Beyond the Stone Angel: artists reflect on the death of their parents, MacKenzie Art Gallery, Regina, Saskatchewan, October 2021- February 2022 >
        • More About ​Safe Passage
        • More About the Paintings ...
      • Announcing the Coming of the Sun, Adjacent to Life Gallery, New York, New York, USA , 2021
      • The Aura of the Already Said - Zygote Gallery, Cleveland, Ohio - 2019
      • Souvenir / Souvenir - Montréal, Québec 2017 >
        • Souvenir / Souvenir - Press
        • Souvenir / Souvenir - Essay ​Culte du Souvenir
        • Souvenir / Souvenir: About the Exhibition ...
        • Souvenir / Souvenir : Invitation card
    • Performances ... Once Upon a Time ... >
      • Ecstacies of Influence - Le Gesù, Amphithéâtre -Montréal - December 2018
      • slippages - The UBC Symphony Orchestra - Chan Centre - Vancouver - October 2018 >
        • slippages - Press
        • slippages - Instructions for play and score
        • slippages in the Studio: About my process >
          • slippages Athabasca -Photographs
          • slippages Immense Immensities
          • slippages Notebook
          • slippages Athabasca Painting
        • slippages - Performance Videos
    • Residencies ... Home Away From Home ... >
      • Ecstasies of Influence : matralab, Concordia University - Montréal 2018 >
        • Ecstacies of Influence - December 16, 2018 - Le Gesù, Amphithéâtre - Montréal
      • The Past Sealed Away - Peter Wall Institute Artist in Residence - Vancouver, BC 2017 - 2018 >
        • The Past Sealed Away... Article
      • What's in a Song ? Between the Song and the Silence: Banff Centre for the Arts and Creativity, Banff, Alberta 2017
      • In The Hole - Saskatoon, Saskatchewan 2017
      • A Ubiquity of Sparrows : Banff Centre for the Arts and Creativity, Banff, Alberta 2016 >
        • A Ubiquity of Sparrows : Banff Installation
  • Graphic Scores
    • reading between the lines - 2022
    • safe passage - 2021 >
      • safe passage: Graphic Score for Canoe Installation
    • slippages - 2018 >
      • slippages - Press
      • slippages - Instructions for play and score
      • slippages in the Studio: About my process >
        • slippages Athabasca -Photographs
        • slippages Immense Immensities
        • slippages Notebook
        • slippages Athabasca Painting
      • slippages - Performance Videos
    • Between the Song and the Silence: Berlin 2017 - 2021 >
      • Between the Song and the Silence: Graphic Score- Studies for Hobrechtsfelde Iteration
      • Between the Song and the Silence: Graphic Score- Banff Iteration
      • My Muses
      • What's in a Name?
      • Taking Flight ... The Process
      • Swan Song... A summary of my process for my MFA research
  • Portfolio
    • Mortsaf for My Father : the Series ... >
      • Mortsaf for My Father : the Paintings ...
      • Mortsaf for My Father: ​Safe Passage
    • Allegory for a New Ice Age ... Photographs
    • The Past Sealed Away ... Painting
    • The Past Sealed Away... Prints
    • The Past sealed Away: Athabasca - Photographs
    • Immense Immensities Miniature Watercolours
    • In The Hole
    • Souvenir sacré
    • Souvenir sacré - Opasatika
    • Fleurs sacrées
    • Mortsaf
    • Genetics for Cowboys
    • Beautiful Ghosts
    • Niagara Tondos
    • Twinned
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  • Contact

slippages Instructions for  play and score

 slippages
Deborah Carruthers - Artist-Composer, 2018

The original score is held in the Canadian Women Composers Archive :  all about the project and outcomes
​

Instructions for play…
The original score is meant to be presented stacked, with page 1 on top. Each sheet represents a history, with the most recent history first.
 
The past influences the present.
 
It is written in the language of glaciers, informed by their physics, chemistry, ecologies and philosophy.
 
The holes in the score reference the holes found on the surfaces of glaciers.
 
The language is meant to be read through time. What is seen through the holes is played in the present and dominates the past.
 
This language is subject to movement and influenced by geography.
 
It is recommended that both temperature and mass be balanced, and that energy be conserved at all times.
 
Considering stress and strain and deformations, it is desirable to crumple score sheets and drop them as necessary. Solastalgia may be experienced as drifts emerge.
 
The number of musicians can be extremely variable.
This piece was originally conceived of as having a length of 10 minutes.
For large ensembles, such as symphony orchestras, it is recommended that the work be timed, with each sheet representing approximately 25 sec.
 
As the time-scale of glaciers is dramatically different from ours, I would suggest that this too may be mutable.
 
 ​The original slippages score consists of twenty-seven 18 inch by 24 inch pages of bespoke St-Armand cotton paper, with the score rendered in coloured acrylic ink and marine salt.

​The videos may be seen here.

About My Graphic Scores…
 
Graphic scores in general do not have to contain any musical notation – although some may incorporate notations in unusual configurations.
My scores contain no musical notation whatsoever. slippages has no temporal or pitch indications; although it has a suggestion related to the overall length of the work to facilitate working with large ensembles.
It does not include directions as to what kind or how many instruments are to be used (including voice).
It will produce a unique piece each time it is played.
It will encourage close listening – a necessary thing in these kinds of dialogues.
It will (hopefully) inspire experimentation.
 
It is not a free improvisation.
Structured improvisations provide a framework to examine ideas, themes, and sound.
"slippages" : Cover page of Graphic score
"slippages" : Page 1 of Graphic score
"slippages" : Page 2 of Graphic score
"slippages" : Page 3 of Graphic score
"slippages" : Page 4 of Graphic score
"slippages" : Page 5 of Graphic score
"slippages" : Page 6 of Graphic score
"slippages" : Page 7 of Graphic score
"slippages" : Page 8 of Graphic score
"slippages" : Page 9 of Graphic score
"slippages" : Page 10 of Graphic score
"slippages" : Page 11 of Graphic score
"slippages" : Page 12 of Graphic score
"slippages" : Page 13 of Graphic score
"slippages" : Page 14 of Graphic score
"slippages" : Page 15 of Graphic score
"slippages" : Page 16 of Graphic score
"slippages" : Page 17 of Graphic score
"slippages" : Page 18 of Graphic score
"slippages" : Page 19 of Graphic score
"slippages" : Page 20 of Graphic score
"slippages" : Page 21 of Graphic score
"slippages" : Page 22 of Graphic score
"slippages" : Page 23 of Graphic score
"slippages" : Page 24 of Graphic score
"slippages" : Page 25 of Graphic score
"slippages" : Back cover page of Graphic score
Photos – John William
Picture


​I would like to acknowledge the Peter Wall Institute for Advanced Studies in supporting this project.

​ We acknowledge the support of the Canada Council for the Arts.
Nous remercions le Conseil des Arts du Canada de son soutien.
Picture
  • Home
    • Artist Statement
    • Bio
  • Exhibitions / Residencies/Performances
    • Exhibitions ... Now You See Me... >
      • What Remains Unexplained 2.0: The Endpoint Collective
      • Beyond the Stone Angel: artists reflect on the death of their parents, MacKenzie Art Gallery, Regina, Saskatchewan, October 2021- February 2022 >
        • More About ​Safe Passage
        • More About the Paintings ...
      • Announcing the Coming of the Sun, Adjacent to Life Gallery, New York, New York, USA , 2021
      • The Aura of the Already Said - Zygote Gallery, Cleveland, Ohio - 2019
      • Souvenir / Souvenir - Montréal, Québec 2017 >
        • Souvenir / Souvenir - Press
        • Souvenir / Souvenir - Essay ​Culte du Souvenir
        • Souvenir / Souvenir: About the Exhibition ...
        • Souvenir / Souvenir : Invitation card
    • Performances ... Once Upon a Time ... >
      • Ecstacies of Influence - Le Gesù, Amphithéâtre -Montréal - December 2018
      • slippages - The UBC Symphony Orchestra - Chan Centre - Vancouver - October 2018 >
        • slippages - Press
        • slippages - Instructions for play and score
        • slippages in the Studio: About my process >
          • slippages Athabasca -Photographs
          • slippages Immense Immensities
          • slippages Notebook
          • slippages Athabasca Painting
        • slippages - Performance Videos
    • Residencies ... Home Away From Home ... >
      • Ecstasies of Influence : matralab, Concordia University - Montréal 2018 >
        • Ecstacies of Influence - December 16, 2018 - Le Gesù, Amphithéâtre - Montréal
      • The Past Sealed Away - Peter Wall Institute Artist in Residence - Vancouver, BC 2017 - 2018 >
        • The Past Sealed Away... Article
      • What's in a Song ? Between the Song and the Silence: Banff Centre for the Arts and Creativity, Banff, Alberta 2017
      • In The Hole - Saskatoon, Saskatchewan 2017
      • A Ubiquity of Sparrows : Banff Centre for the Arts and Creativity, Banff, Alberta 2016 >
        • A Ubiquity of Sparrows : Banff Installation
  • Graphic Scores
    • reading between the lines - 2022
    • safe passage - 2021 >
      • safe passage: Graphic Score for Canoe Installation
    • slippages - 2018 >
      • slippages - Press
      • slippages - Instructions for play and score
      • slippages in the Studio: About my process >
        • slippages Athabasca -Photographs
        • slippages Immense Immensities
        • slippages Notebook
        • slippages Athabasca Painting
      • slippages - Performance Videos
    • Between the Song and the Silence: Berlin 2017 - 2021 >
      • Between the Song and the Silence: Graphic Score- Studies for Hobrechtsfelde Iteration
      • Between the Song and the Silence: Graphic Score- Banff Iteration
      • My Muses
      • What's in a Name?
      • Taking Flight ... The Process
      • Swan Song... A summary of my process for my MFA research
  • Portfolio
    • Mortsaf for My Father : the Series ... >
      • Mortsaf for My Father : the Paintings ...
      • Mortsaf for My Father: ​Safe Passage
    • Allegory for a New Ice Age ... Photographs
    • The Past Sealed Away ... Painting
    • The Past Sealed Away... Prints
    • The Past sealed Away: Athabasca - Photographs
    • Immense Immensities Miniature Watercolours
    • In The Hole
    • Souvenir sacré
    • Souvenir sacré - Opasatika
    • Fleurs sacrées
    • Mortsaf
    • Genetics for Cowboys
    • Beautiful Ghosts
    • Niagara Tondos
    • Twinned
  • C V
  • Contact