Curriculum Vitae
All images: Money Doesn't Grow On Trees Does It? No.85, No.91, No.96, No.95, No.86, No.83 , No.8, No. 6 - 2015
Ongoing Project: Berlin |
EXHIBITIONS / PERFORMANCES (SELECTED)
2025 – reiterator – Endpoint Collective* workbyseoul.05 Gallery, Seoul, North Korea, March 23, 2025 —Performance of my score creek* by jazz guitarist Choi Sung Ho, exhibition of photographs and prints (Roth and Hart) featuring live interventions by Deerman *The Endpoint Collective’s practice relates to anthropocentric and environmental concerns, and consists of Canadian artists Deborah Carruthers (Montréal, QC, Canada) and Gabriel Deerman (Seogwipo, Jeju-do, South Korea); as well as Americans Margaret Hart, (Boston, MA, USA) and Mark Roth (New York, NY, USA). 2024 – Artists in the Archive —Endpoint Collective* Grossman Gallery, University of Massachusetts, Boston, MA, USA, July 2024–January 2025 –Exhibition of paintings, multimedia works, and installations in conjunction with panel participation in an international interdisciplinary conference on climate change and the environment, Thinking About Climate Change: Art, Science, and Imagination in the 21st Century. 2024 – creek* Open Ears Festival, Kitchener, Ontario, Canada, June 2-3, 2024 –World premiere performances of graphic score, creek* by the Nu Ears Ensemble directed by Dr. Kathryn Ladano. 2024 – FLOW— Deborah Carruthers and Sydney Lancaster Inter Arts Matrix, Kitchener, Ontario, Canada —Curated by Sheila McMath, artistic director of Inter Arts Matrix; includes exhibition of new graphic score, creek*, related other works. 2023 – slippages The Peggy Corkum Music Room, Halifax, Nova Scotia, Canada –Performance of graphic score, slippages, by the contemporary chamber music group, the Alkali Collective, Halifax, Nova Scotia, and screening of slippages video, a collaboration with Edmonton artist Sydney Lancaster. 2023 – The Past Sealed Away Adjacent to Life Gallery, New York, New York, USA –Two series of paintings and photographs related to environmental change: Re-Viewed: the Athabasca Glacier, 2023, paintings related to trip reviews of the glacier; Allegory for a New Ice Age, 2019, large format photographs. 2022 – What Remains Unexplained 2.0 : The Endpoint Collective* Kingston Gallery, Boston, Massachusetts, US –Paintings, video, and sound installations 2022 – What Remains Unexplained: The Endpoint Collective* 621 Gallery, Tallahassee, Florida, February 2022 –Re: environmental changes - Paintings, video, and sound installations 2022 – reading between the lines & Emerald Ash: Deborah Carruthers and Terri Hron Black Box, matralab, Concordia University, Montréal, Québec, Canada –Installation of new graphic scores with accompanying audio video presentation, public talk 2021 – reading between the lines: Zurich iteration Sonic Matter – Openlab, Zürich, Switzerland: process presentation of graphic score, panel discussions, workshops 2021 – Beyond the Stone Angel: artists reflect on the death of their parents MacKenzie Art Gallery, Regina, Saskatchewan, –Group exhibition of 12 artists including my multidisciplinary series, Mortsaf for My Father with new works; new score and installation safe passage 2021 – Announcing the Coming of the Sun: The Endpoint Collective Adjacent to Life Gallery, New York, New York, USA –Painting installation 2021 – Ecstasies of Influence Musée d'Art Contemporain Montréal (MACM), Montréal, Québec, Canada –Artistic collaborations and interdisciplinary artistic research of matralab (where I am an invited artist), directed by Sandeep Bhagwati 2020 – The (notso) Short Fest Ely Center for Contemporary Art, New Haven, Connecticut, USA –Group exhibition of video with artist talks/panel discussions 2019 – Ecstasies of Influence - Pune Flame University, Pune, Maharashtra, India –Presentation of collaborative composition with classical South Asian emsemble , Flame University, Pune, Maharashtra, India, August 2019 (recording publication pending) 2019 – Regenerations: The Endpoint Collective Zygote Gallery, Cleveland, Ohio, US –Paintings, video, and sound installations 2018 – Ecstasies of Influence - Montréal Concordia University, matralab, Montréal, Québec, Canada, September - December 2018 –Presentation of collaborative composition, Gesu Theatre, Montreal, Quebec, Canada 2018 – slippages Chan Centre for the Performing Arts, Vancouver, British Columbia, Canada –World premiere performance of my graphic score, slippages, by the UBC Symphony Orchestra, conducted by Maestro Jonathan Girard, the Director of Orchestras at UBC and Wall Scholar for 2018-2019. –Screening of slippages video, a collaboration with Edmonton artist Sydney Lancaster, and painting installation 2017 - Mountain Dew Banff Centre for the Arts and Creativity, Banff, Alberta, Canada –Group Exhibition, Banff Centre Project Space 2016 - Souvenir / Souvenir Maison de la culture de Notre-Dame-de-Grâce, Montréal, Québec, Canada –Solo exhibition of multimedia works: large format photographs, paintings, assemblage, and sound. 2016 - Opasatika Galerie 815, Hearst, Ontario, Canada –Solo exhibition of large format photographs, paintings, video, and sound. Public artist talks, workshops with Secondary V students 2016 - Canon in Bee International Experimental Art Space, Berlin, Germany –Solo exhibition of monoprints, public workshops 2016 -A Ubiquity of Sparrows 36th Street Project Space, New York, New York, US -–Solo exhibition of photographs and text 2015 -Loose Affairs Somos Project Space, Berlin , Germany –Group exhibition 2013 - L’Héritage de Borduas: huit artistes autour de Françoise Sullivan Musée des beaux-arts de Mont-Saint-Hilaire, Mont Saint-Hilaire, Québec, Canada –Group painting exhibition concurrent with Paul-Émile Borduas –les années new yorkaises (1953-1955), with catalogue 2012 - Genetics for Cowboys WARC Gallery, Toronto, Ontario, Canada –Multimedia installation including paintings, photography, and sound RESIDENCIES / CONFERENCES / PUBLICATIONS (SELECTED) 2025 – Images of Music (Conference) – Montréal, Québec, Canada In conjunction with the Montreal/New Musics Festival; international conference presented by matralab (Concordia University), Hexagram (Université du Québec à Montréal) and the SMCQ (Société de musique contemporaine du Québec): presentation with Nour Symon on our graphic score practices. 2024 - CIRCUIT: Musiques contemporaines (Publication), Montréal, Québec, Canada Invited as presenting artist for the issue Musique et temps critiques, Vol 34 No 3 2024 – Music in Difficult Times: Global—Plural Temporalities (Conference) –Montréal, Québec, Canada International conference presented by Concordia University and the SMCQ (Société de musique contemporaine du Québec Performance/presentation on Creating New Rules of Engagement 2023 –A Hole in the Ground - Inter Arts Matrix, Kitchener, Ontario, Canada (Residency) A site-specific serial collaboration for 10 artists, curated by Sheila McMath, artistic director of Inter Arts Matrix 2019 – Flame University, Pune, Maharashtra, India (Residency) Artistic collaborations and interdisciplinary research: exploration of Hindustani instrumentation-performance, student workshops. 2017-2018 – Peter Wall Institute for Advanced Studies at the University of British Columbia (Artist-in Residence) UBC scholars and leading international researchers working on innovative research beyond disciplinary boundaries. Invited as inaugural artist-in-residence. Public workshops and presentations 2017 - Banff Centre for Creativity in the Arts: BAiR Spring Intensive (Residency) - Banff, Alberta, Canada, Spring 2017: Internationally juried residency at the Banff Centre to develop and create alongside other artists, writers, and curators from the Banff Centre and its International Curatorial Institute. Public artist talks, workshops with Secondary III-V students. 2016 - Banff Centre for Creativity in the Arts: BAiR Text (Residency) - Banff, Alberta, Canada Spring 2016 Juried thematic residency for artists whose practices engaged with text worked with writers and critics. Public artist talks 2016 - If You Build It, Will They Come? - Transart Institute, New York, New York: Created and led professional development workshops regarding residency creation and practice development 2013 - Artists for Artists: Mentorship, teaching strategies and other tools for visual artists: Vancouver, British Columbia, Canada − Led workshops on mentoring strategies 2012 - Asa Wright Nature Centre (Residency) - Trinidad, East Indies Research with scientists and naturalists on cave-dwelling oilbirds. 2010 - The Automatiste Revolution: Its International Resonances (Symposium) - Albright-Knox Museum, Buffalo, New York, USA − Developed and presented international public symposium in conjunction with the Albright-Knox Museum exhibition The Automatiste Revolution. PROFESSIONAL AFFILIATIONS 2010 – Present – Member of CARFAC (Canadian Artists Representation – Le front des artistes Canadiens) Executive - Board of Directors, 2010 – 2016 2010 – Present – Member of RAAV (Regroupment des artistes en arts visuels du Québec) , Board of Directors - 2010 - 2018 , Vice President Executive – Board of Directors - 2012-2017 2013 – Present – Member of CARCC (Canadian Artists Representation Copyright Collective -also known as CoVA-DAAV) - Board of Directors - 2013 - 2018; Co-Chair Board of Directors 2015 – 2018 2025 – Present – Associate Composer of CMC (Canadian Music Centre / Centre de musique canadienne) 2025 – Present – Professional Member of CLC (The Canadian League of Composers / La Ligue canadienne des compositeurs) 2024 – Present – Member – Canadian New Music Network – Réseau Canadien pour les musiques Nouvelles 2019 – Present - Member – Berliner Gesellschaft für Neue Musik e. V. (Berlin Society for New Music e. V.) EDUCATION AND TRAINING 2017 - School of Art, Design, and Architecture, Plymouth University, United Kingdom (Transart Institute, New York and Berlin) - MFA Creative Practice: Recipient of Transart Earth Awareness Prize 1986 -Concordia University, Montreal, Québec, Canada -BA (Double Major): Specialization-Psychology/Major-Applied Social Science 1988-1990 (Incomplete) - Concordia University, Montreal, Québec, Canada - BSc Biology My work has been supported by Canada Council for the Arts and Conseil des arts et des lettres du Québec, in addition to private foundations. It is held in private and public collections in Canada, the USA, and Europe, and notably, the Canadian Woman Composers Archive |
