DEBORAH CARRUTHERS
  • Home
    • Artist Statement
    • Bio
  • Exhibitions / Residencies/Performances
    • Exhibitions ... Now You See Me... >
      • FLOW— Deborah Carruthers and Sydney Lancaster Inter Arts Matrix, Kitchener, Ontario, Canada - 2024
      • What Remains Unexplained 2.0: The Endpoint Collective, Kingston Gallery, Boston, Massachusetts, October 2022
      • Beyond the Stone Angel: artists reflect on the death of their parents, MacKenzie Art Gallery, Regina, Saskatchewan, October 2021- February 2022 >
        • More About ​Safe Passage
        • More About the Paintings ...
      • Announcing the Coming of the Sun, Adjacent to Life Gallery, New York, New York, USA , 2021
      • The Aura of the Already Said - Zygote Gallery, Cleveland, Ohio - 2019
      • Souvenir / Souvenir - Montréal, Québec 2017 >
        • Souvenir / Souvenir - Press
        • Souvenir / Souvenir - Essay ​Culte du Souvenir
        • Souvenir / Souvenir: About the Exhibition ...
        • Souvenir / Souvenir : Invitation card
    • Performances ... Once Upon a Time ... >
      • creek* - Nu Ears Ensemble - Open Ears Festival, Kitchener, Ontario, June 2024
      • slippages - the Alkali Collective, Halifax, Nova Scotia, May 2023
      • reading between the lines & Emerald Ash: Deborah Carruthers and Terri Hron- Black Box, matralab, Concordia University, Montréal, Québec - April 2022
      • Ecstacies of Influence - Le Gesù, Amphithéâtre -Montréal - December 2018
      • slippages - The UBC Symphony Orchestra - Chan Centre - Vancouver - October 2018
    • Residencies ... Home Away From Home ... >
      • Ecstasies of Influence : matralab, Concordia University - Montréal 2018 >
        • Ecstacies of Influence - December 16, 2018 - Le Gesù, Amphithéâtre - Montréal
      • The Past Sealed Away - Peter Wall Institute Artist in Residence - Vancouver, BC 2017 - 2018
      • What's in a Song ? Between the Song and the Silence: Banff Centre for the Arts and Creativity, Banff, Alberta 2017
      • In The Hole - Saskatoon, Saskatchewan 2017
      • A Ubiquity of Sparrows : Banff Centre for the Arts and Creativity, Banff, Alberta 2016 >
        • A Ubiquity of Sparrows : Banff Installation
  • Graphic Scores
    • creek* - 2024 >
      • creek* -Instructions for Play and Score
    • reading between the lines - 2022
    • safe passage - 2021 >
      • safe passage: Video Score with Audio
      • About Mortsaf for My Father: ​Safe Passage Installation
    • slippages - 2018 >
      • slippages - Instructions for play and score
      • slippages in the Studio: About my process >
        • slippages Athabasca -Photographs
        • slippages Immense Immensities
        • slippages Notebook
        • slippages Athabasca Painting
      • slippages - Performance Videos
    • Between the Song and the Silence: Berlin 2017 - 2021 >
      • Between the Song and the Silence: Graphic Score- Studies for Hobrechtsfelde Iteration 2020
      • Between the Song and the Silence: Graphic Score- Banff Iteration 2017
      • My Muses
      • What's in a Name?
      • Taking Flight ... The Process
      • Swan Song... A summary of my process for my MFA research
  • Portfolio
    • Mortsaf for My Father : the Series ... >
      • Mortsaf for My Father : the Paintings ...
      • Mortsaf for My Father: ​Safe Passage
    • Allegory for a New Ice Age ... Photographs
    • The Past Sealed Away : the Series >
      • The Past Sealed Away ... Painting
      • The Past Sealed Away... Prints
      • The Past sealed Away: Athabasca - Photographs
      • Immense Immensities Miniature Watercolours
    • In The Hole
    • Souvenir sacré - Photographs
    • Souvenir sacré - Opasatika
    • Fleurs sacrées - Photographs
    • Mortsaf - Paintings
    • Genetics for Cowboys
    • Beautiful Ghosts - Installation
    • Niagara Tondos
    • Twinned
  • C V
  • Contact
  • FLOW— Deborah Carruthers and Sydney Lancaster Inter Arts Matrix, Kitchener, Ontario, Canada - 2024

safe passage: video score with audio


​safe passage: Graphic Score 
​
Instructions for play with autobiographical notes…

 
The graphic score consists of an eight-foot-long narrow sheet of paper made in the shape of Rainbow Creek from the inlet to the entrance of Upper Rainbow Lake in the Laurentian mountains in Québec.

It is Necessary to travel on this Creek to get to the Family Cottage on the Lake.

This map is to be read from North to South, noting that the Creek runs Northeast to Southwest.

The Northeastern most point is the inlet, the Southwestern most, the outlet into the Lake.

The score is divided into four movements: rocks, tamaracks, beavers, and water.

The journey down the Creek is marked by bubbles that rise to the surface as the Canoe passes.
​These bubbles contain the air of my ancestors’ whispered directions.

It is important to note that each movement is profoundly influenced by the passing of the seasons, affecting the way one can travel upon the water.

In Summertime, the Creek is languid, some might say lazy.
 
At that time, rocks reveal themselves while concealing the greater part of what they are – it is important to note their territories.
 
When Fall arrives, the anticipation of winter leads to a quickening of the current.
 
Rounding the curve of the Creek, the tamaracks entice eyes upward, showing off their Cadmium Yellow fronds against the Payne’s Grey Sky.
 
Their needles pelt the Creek with their secrets.
 
Come Winter, the Creek is blanketed with snow over ice, reducing the clamour of the creek to a murmur.
 
Save for its escape at the deliberate chaos of the Beaver Dam – where despite the usual diligence of the Caretakers, and their efforts to contain it, the Creek sneaks through the gaps and chinks, determinedly pushing through the frozen mud until it forgets itself and gurgles loudly in triumph – rousing its Captors from their house…
 
Until Spring pours over the dam, hurrying the Creek toward the Lake.
 
The arrow grass slaps it as it rushes by, coerced by the wind, and the foolish young beavers are tricked into slapping their tails by the sound.
 
And then the Canoe arcs forward, slicing through water, and the waves themselves slap its side, as if to congratulate it on a job well done.
 
The number of musicians traveling the Creek at any one time may be variable.
Solastalgia may be induced as the Creek shifts its bed due to logging.
 
The time to travel the Creek is also mutable, depending on the current and the ever-changing improvements to the Beaver Dam.
PictureGoogle map view of Rainbow Creek, with the outline of the creek drawn in white and red. The inlet is Northeast and the outlet to Upper Rainbow Lake is Southwest. This was the way we went in to our family's log house from before I was born until I was in my forties.

​

​

Many, many thanks to Terri Hron and Norm Adams for all their  work in making this recording possible - I am ever grateful.
​ We acknowledge the support of the Canada Council for the Arts.
Nous remercions le Conseil des Arts du Canada de son soutien.
Picture
  • Home
    • Artist Statement
    • Bio
  • Exhibitions / Residencies/Performances
    • Exhibitions ... Now You See Me... >
      • FLOW— Deborah Carruthers and Sydney Lancaster Inter Arts Matrix, Kitchener, Ontario, Canada - 2024
      • What Remains Unexplained 2.0: The Endpoint Collective, Kingston Gallery, Boston, Massachusetts, October 2022
      • Beyond the Stone Angel: artists reflect on the death of their parents, MacKenzie Art Gallery, Regina, Saskatchewan, October 2021- February 2022 >
        • More About ​Safe Passage
        • More About the Paintings ...
      • Announcing the Coming of the Sun, Adjacent to Life Gallery, New York, New York, USA , 2021
      • The Aura of the Already Said - Zygote Gallery, Cleveland, Ohio - 2019
      • Souvenir / Souvenir - Montréal, Québec 2017 >
        • Souvenir / Souvenir - Press
        • Souvenir / Souvenir - Essay ​Culte du Souvenir
        • Souvenir / Souvenir: About the Exhibition ...
        • Souvenir / Souvenir : Invitation card
    • Performances ... Once Upon a Time ... >
      • creek* - Nu Ears Ensemble - Open Ears Festival, Kitchener, Ontario, June 2024
      • slippages - the Alkali Collective, Halifax, Nova Scotia, May 2023
      • reading between the lines & Emerald Ash: Deborah Carruthers and Terri Hron- Black Box, matralab, Concordia University, Montréal, Québec - April 2022
      • Ecstacies of Influence - Le Gesù, Amphithéâtre -Montréal - December 2018
      • slippages - The UBC Symphony Orchestra - Chan Centre - Vancouver - October 2018
    • Residencies ... Home Away From Home ... >
      • Ecstasies of Influence : matralab, Concordia University - Montréal 2018 >
        • Ecstacies of Influence - December 16, 2018 - Le Gesù, Amphithéâtre - Montréal
      • The Past Sealed Away - Peter Wall Institute Artist in Residence - Vancouver, BC 2017 - 2018
      • What's in a Song ? Between the Song and the Silence: Banff Centre for the Arts and Creativity, Banff, Alberta 2017
      • In The Hole - Saskatoon, Saskatchewan 2017
      • A Ubiquity of Sparrows : Banff Centre for the Arts and Creativity, Banff, Alberta 2016 >
        • A Ubiquity of Sparrows : Banff Installation
  • Graphic Scores
    • creek* - 2024 >
      • creek* -Instructions for Play and Score
    • reading between the lines - 2022
    • safe passage - 2021 >
      • safe passage: Video Score with Audio
      • About Mortsaf for My Father: ​Safe Passage Installation
    • slippages - 2018 >
      • slippages - Instructions for play and score
      • slippages in the Studio: About my process >
        • slippages Athabasca -Photographs
        • slippages Immense Immensities
        • slippages Notebook
        • slippages Athabasca Painting
      • slippages - Performance Videos
    • Between the Song and the Silence: Berlin 2017 - 2021 >
      • Between the Song and the Silence: Graphic Score- Studies for Hobrechtsfelde Iteration 2020
      • Between the Song and the Silence: Graphic Score- Banff Iteration 2017
      • My Muses
      • What's in a Name?
      • Taking Flight ... The Process
      • Swan Song... A summary of my process for my MFA research
  • Portfolio
    • Mortsaf for My Father : the Series ... >
      • Mortsaf for My Father : the Paintings ...
      • Mortsaf for My Father: ​Safe Passage
    • Allegory for a New Ice Age ... Photographs
    • The Past Sealed Away : the Series >
      • The Past Sealed Away ... Painting
      • The Past Sealed Away... Prints
      • The Past sealed Away: Athabasca - Photographs
      • Immense Immensities Miniature Watercolours
    • In The Hole
    • Souvenir sacré - Photographs
    • Souvenir sacré - Opasatika
    • Fleurs sacrées - Photographs
    • Mortsaf - Paintings
    • Genetics for Cowboys
    • Beautiful Ghosts - Installation
    • Niagara Tondos
    • Twinned
  • C V
  • Contact
  • FLOW— Deborah Carruthers and Sydney Lancaster Inter Arts Matrix, Kitchener, Ontario, Canada - 2024